The National Rifle - Wage Life

The National Rifle
Wage Life
Self-released
Grade: A-

Philly’s the National Rifle are probably the best indie-punk that you’ve never heard of, as well as one of the best unsigned bands kicking around. Featuring social and political undertones, the National Rifle sticking point is their favorable comparison to poppier Clash songs with are infused with melodies and a sometimes perfect vocal cadence. You may also think a lighter Anti-Flag. But a near-perfect comparison is to the Quebec band the Frenetics. Whatever your anchor point, a few of the songs on Wage Life will make you extremely glad that you haven’t lost your hearing. Unquestionably the top song is the opener “Baby Stole My Gun” – a song that makes you take notice the second the vocals kick in. After the average “Gaggers” comes “Girls at the Clinic,” which begins in similar manner to the opener but utilizes 50s pop harmonies in places that offers an interesting twist. “Crustache” is an odd electronic-based song, while “Gay Rock n’ Roll” ushers in uptempo Elvis Costello-tinged punk rock. Wage Life finishes up on the horn-orgy “Kickin’ Dogs,” which is fairly bad, and “Tina” recorded dirtily live. With a bit of polish The National Rifle might become an exciting diversion to your life.